APRIL 2- APRIL 25, 2015
Public Program – Dexter Fletcher Gallery Takeover here: https://verge-gallery.net/2015/04/14/dexter-fletcher-gallery-takeover-april-2015/
Roomsheet :: HERE

Angela Garrick, Emily Hunt, Richard Larter, Alex Lawler, Lillian O’Neil, Sarafina Power, Kubi Vasak, Curated by Esther Rolfe

cut.paste.repeat brings together seven Australian and international artists who explore a broad range of collage techniques and aesthetics in their practice. Working across diverse media, including analogue collage, print, installation and video, these artists layer and juxtapose imagery, symbols, and materials borrowed from their surroundings, thereby creating a strong sense of immediacy between the work and its defining context.
Simultaneously referencing the history of collage, and also exploring its potential as a contemporary mode of expression, the works presented in cut.paste.repeat reflect the inherent adaptability of collage as a medium, as well as its ability to convey a sense of the lived experience of the here and now.

Second Circulation
Exhibition participants: Dexter Fletcher, Luke You, The Thomas Ferguson Band, Vanessa Berry, Samantha Penelope Riegl, Dot Kett, Tim Ungaro, Emma Davidson, Miss Helen, Newport Dolls.

Second Circulation is a group show of zine makers who are also art makers. There are tensions between the underground status of zines, the resistance of zine makers to recuperation by the professional art world, and the appearance of zines in galleries.
This exhibition will showcase zine-making artists who negotiate this tension. It will explore the liminal space that zines inhabit between professional practice and DIY, and the role that zines have within the individual practices of the show’s participants.
The exhibition, curated by Sydney-based collective Dexter Fletcher, will include zine-making artists, musicians and academics from Sydney, Melbourne and Canberra, working across a range of mediums. Second Circulation will also include a public program.

Hypnogogic by Amina McConvell

The installation takes the form of an immersive and experiential landscape, which draws on the visual experience of hypnogogic imagery. Imagery, observable in the state immediately before falling asleep, a transition state between consciousness and unconsciousness. Hypnogogic imagery is classed as among the simplest forms of hallucinations, and experienced by the majority of people (Sacks, 2012). Hypnogogic imagery is typically abstract and somewhat anarchic in its formlessness; imagery can be described as coloured blobs of light and geometric patterns whirling around in blackness. Evocative of an intergalactic landscape, spatial distortions occur as abstract forms in motion appear to move arbitrarily across a black field of vision.