Dec 1 Written By Tesha Malott LACHLAN ANTHONY’GEOMETRIC ASYLUM’ 2 NOVEMBER – 2 DECEMBER, 2017 Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a screen on the right, with a person with a plank of wood on their shoulder, on the floor in front is an abundance of black acrylic cones faced down so the pointed side it up, in a rectangular shape. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: In the middle of the space, there is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Behind it, there is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. With a television screen to the left of the works, on a wall. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: In the middle of the space, there is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Behind it, there is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. With a television screen to the left of the works, on a wall. Tesha Malott
Dec 1 Written By Tesha Malott LACHLAN ANTHONY’GEOMETRIC ASYLUM’ 2 NOVEMBER – 2 DECEMBER, 2017 Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: There is a screen on the right, with a person with a plank of wood on their shoulder, on the floor in front is an abundance of black acrylic cones faced down so the pointed side it up, in a rectangular shape. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: In the middle of the space, there is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Behind it, there is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. With a television screen to the left of the works, on a wall. Geometric Asylum, 2017, Installation shot. Photography by Document Photography. ID: In the middle of the space, there is a large rectangle on the floor, stretching from one side of the gallery to the other, that is made up of small black acrylic cones. Behind it, there is a large black cylindrical sculpture, that is standing on two poles, and resembles a brush like texture. It has black spiked brushes coming out of it, and looks like it is rotating clockwise, like a spit. With a television screen to the left of the works, on a wall. Tesha Malott