MIN WONG


KARMA IS A BITCH
28 JULY – 2 AUGUST, 2019

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

ARTIST STATEMENT

Karma is a bitch examines metaphysical and utopian impulses of the recent past, such as the visual cultures associated with 1960s and 1970s American West Coast counterculture, ‘New Age’ spirituality and more recent tendencies towards self-help and therapeutic culture.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, steel, paint, 1600mm x 1600mm x 750mm, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, steel, paint, 1600mm x 1600mm x 750mm, 2019. Photography by Zan Wimberley.

Min Wong, Happiness is an inside job, digital print on material, steel, 3400mm x 2200mm x1200mm, 2019. Photography by Zan Wimberley.

Min Wong, Happiness is an inside job, digital print on material, steel, 3400mm x 2200mm x1200mm, 2019. Photography by Zan Wimberley.

Min Wong, Alchemy flashback II, giclée print on Hahnelmule German Etching rag, 600 x 800mm, 2015. Photography by Zan Wimberley.

Min Wong, Alchemy flashback II, giclée print on Hahnelmule German Etching rag, 600 x 800mm, 2015. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Min Wong, “Karma is a bitch”, installation view, 2019. Photography by Zan Wimberley.

Previous
Previous

Next
Next