Media

Nicholas Aloisio-Shearer and Ruth Ju-Shih Li

👤 MeMO Review

📅 June 2023

Emily Best identifies the preoccupied canons of memory, whether indulging in its fallibility, or drawing upon it as a resource, creating alternate realities, that Li and Aloisio-Shearer investigate within their solo exhibitions.

Destruction or Rebirth? Taiwanese-Australian young female artist Li Rushi's new exhibition

👤 VCT News

📅 June 2023

Mitchel Cumming and Kenzee Patterson: A redistribution

👤 MeMO Review

📅 February 2023

Nicholas Croggan evaluates the individual and collaborative object and text-based works that centre around a pair of historical basalt millstones, that Cumming and Patterson investigate within their exhibition ‘A redistribution’.

There is no fire

👤 Un Projects (Online)

📅 January 2023

Jemi Gale wrote a poem in response to Sab D'Souza’s exhibition, There is no fire, exploring the trauma surrounding loss of space and digital affective cultures. Sab was a prolific artist in thought as much as they were in practice. 

Screwball

👤 MeMo Review

📅 June 2022

Screwball hesitates to show all its cards at once. Veronica Tello reviews their experience walking into Verge Gallery and exploring EO Gill’s transformation of space and play.

Wei Leng Tay’s “Abridge”

👤 ArtAsiaPacific

📅 June 2021

Chloe Morrissey reviews Wei Leng Tay’s “Abridge” at Sydney’s Verge Gallery, which featured distorted imageries of protests in Hong Kong. According to Morrissey, the exhibition “spatially and temporally displaces the viewer from their own past and present.”

For further media enquires contact Verónica, vergegallery[at]usu.edu.au.

Mitchel Cumming and Kenzee Patterson

👤 Artforum

📅 June 2023

Toni Ross writes on The collaborative exhibition “A redistribution” by Mitchel Cumming and Kenzee Patterson combined the artists' distinct practices with aplomb.